Why I’m Starting The Cemetery Project

Graves in Chiswick New Cemetery

Post 1: The Cemetery Project, a series exploring random lives of people I find in cemeteries.

I’ve always loved old cemeteries.

Whenever I’m in London, I stay within walking distance of Chiswick Old Cemetery, and I spend hours wandering among the graves. I find myself reading the names and dates, wondering who these people were and what their lives looked like before they became a name carved into stone.

I’ve also always been fascinated by serial killers.

Lately, though, I’ve found myself becoming much more interested in their victims than in the killers themselves.

Many of the women murdered by Britain’s most notorious serial killers were prostitutes. Because of that, they were often treated with remarkable disrespect, both by the police and by the media.

The first four victims of the Yorkshire Ripper, Wilma McCann, Emily Jackson, Irene Richardson and Patricia Atkinson, were all sex workers. The investigation has since been criticised for failing to devote the same urgency to their murders as it did after sixteen-year-old Jayne MacDonald was killed. Around that time, a BBC reporter described Jayne as ‘an innocent victim’, a phrase that has become infamous because of what it implied about the women who came before her.

A decade earlier, another serial killer was targeting young women in west London. The murderer became known as ‘Jack the Stripper’ because he left the bodies of his victims naked. Today, the case is better known as the Hammersmith Nude Murders, the biggest unsolved serial murder investigation in British history.

One of the victims, Irene Lockwood, was found at Chiswick Pier, only a couple of minutes from where I stay in London. Irene is buried in a pauper’s grave in Chiswick New Cemetery alongside another victim, Helen Barthelemy in the same grave. A third young woman, Elizabeth Figg, who some researchers believe may have been an earlier victim of the same killer, is buried nearby in another pauper’s grave.

Reading newspaper reports from the time is often uncomfortable. Time Magazine, for example, described Helen as ‘a stripper turned tart‘. That was the language used to describe women whose lives had just been violently cut short.

The more I read, the more I find myself wondering about the parts of their lives that nobody bothered to record.

Who did they laugh with?
hat did they worry about?
What did they dream of doing next year?
Who cut their hair? Where did they buy their groceries? Which café did they visit when they had enough money for a cup of tea?
Those are the stories I’m interested in.

So I’ve been thinking about a new writing project.

I’d like to research these women as thoroughly as I can and then write fictional short stories imagining what their ordinary days might have looked like. Not the day they died, but some of the hundreds of ordinary days that came before it. Days filled with work, friendships, unpaid bills, awkward conversations, hopes, disappointments and small moments of happiness.

I’m not interested in writing true crime. I’m interested in writing fiction that restores a little of the humanity history stripped away from these women. For most people, they are remembered only because they crossed paths with a serial killer. I’d like to imagine who they were before that happened, and maybe help restore some of their identity.

I think it’s worth trying.


And this is my other idea:

I visited the Somme a couple of years ago and was quite overwhelmed by all the graves of all the young men – literally fields of them.

There are a handful of war graves at the cemetery nearby. Also one of a woman called Sophia, which was my mother’s name.

I might write fiction about them as well, and imagine their lives. Maybe let them know one another, or randomly sit next to each other on the bus.

They died very long ago and nobody is caring for their graves and I might go clean it up a bit and give them flowers or a plant.

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